Matt Buck's Hack Cartoons

The cartoon awards season results can be found at my colleague Morten's blog - and congratulations are due him, Dave Brown, Steve Bell and Martin Rowson. The event speech was given by former Conservative Chancellor of the Exchequer Ken (Kenneth) Clarke. He made a good speech, as you might expect from a professional speech maker, but he also said at least one incredibly silly thing. I paraphrase him here, but the gist of it was, who'd want to look at cartoons on the internet?

Sketchbook caricature of Ken (Kenneth) Clarke - Conservative MP - and guest at the Political Cartoon Awards

I understand why he did this, to connect precisely with what he judged to be his audience, largely middle class, middle-aged, or, elderly and largely suspicious of technology. It worked for him, he got a laugh.

But this, to me, is a classic piece of ostrich-ism and is pointlessly damaging to those of us who have to go out and make a living as professional commercial artists, today, in the ugly here and now. One of my colleagues told me not to get cross about it, to which I can only say bollocks, if we can't be bothered about how we are going to make a living through our skill at drawing then we won't survive as a form of either art or journalism.

Clarke's joke smacks of 'if I don't look I won't have to see what is changing around me.' This is probably because he (and many others) do not understand the digital world and have no interest in learning about it. I thought this was a sad and silly attitude to perpetuate among other people who love cartoons and drawing as a useful form of human communication.

The digital world may not be easy to understand but it offers opportunity to commercial artists in a way that the old print world, and its surviving fans, would be daft to ignore.


Matt Buck’s animated drawings

Nick Garland in the Telegraph is very good today - simple and on the money. Peter Brookes in the Times goes for a more complex analogy - new film out - and it is, as ever, nicely done. Dave Brown in the Indy goes for a body shot and The Guardian in the absense of Bell and Rowson doesn't do too well at all. My own work for Channel 4 News should be live soon. The iniquities of finding a home in a media outlet means that my colleague, Morland doesn't have a slot this morning (well, that I know about), This should stop immediately, because his work deserves to be measured in the same league as all these fine journalists above.
Matt Buck’s animated drawing